Instead of exploring the close neighbourhood of 104, parts of group 7 experienced other areas of the 19th arrondissement and found awesome locations for their upcoming film project. Furthermore, we all enjoyed very much the cold but also very sunny weather. tmrw we will finally and hopefully shoot the rest of our movie and start to edit it.
Was a good day!
1st workshop / CENTQUATRE, Paris
From 5th to 11th January 2009: first period of training organized at CENTQUATRE
2nd workshop / PACT Zollverein, Essen
From 27th May to 1st June: second period of training organized at PACT Zollverein
3rd workshop / CalArts, Valencia
From 11th to 17th October: third period of training organized at CalArts
Paris / Essen / Los Angeles
Offered jointly by CENTQUATRE (Paris) and PACT Zollverein (Essen), the program Feldstärke International provides the opportunity to arts students from all disciplines (design, dance, cinema, circus arts, landscape art, visual and plastic arts, music, video, theatre, numeric arts), to work in closer collaboration.
The program is hosted for one week at each of the partners’ venues: at CENTQUATRE, at PACT Zollverein and finally at a third partner’s venue, which changes every year. For its first year, Feldstärke International invited the California Institute of the Arts in Valencia, Los Angeles to join the program. Thus, Feldstärke International 2009 brought together 49 students: 20 from German schools, 18 from French schools and 10 from CalArts.
- -
The program Feldstärke International takes place in the Artention France-Nordrhein-Westfalen 2008/2009 season, with the support of Nordrhein-Westfalen's Land. It is supported by the Office Franco-Allemand pour la Jeunesse (Ofaj) and the Holiday Inn Express*** Paris-Canal de la Villette. In Los Angeles, the project was supported by the Goethe Institut-Los Angeles, as well as the Cultural Services of the French and the German Consulates in Los Angeles by means of the French-German Fund.
Wednesday, January 7
GROUP 3 in coupé-décalé
We decided to consider the word and concept "coupé-décalé", corresponding to style african music which appeared in 2003, as an artistical-poetical concep to produce texts, sounds, objects etc.
décaler : to bring forward
to put / move back
to move something forward
to move something back
shift
shift forward
bring forward (it's still back and forward, rewind like in a slow motion
shift back
put back
move
drift
Coupé-décalé is also a section of rythm
using drumsticks
it's sex and money
décaler : to bring forward
to put / move back
to move something forward
to move something back
shift
shift forward
bring forward (it's still back and forward, rewind like in a slow motion
shift back
put back
move
drift
Coupé-décalé is also a section of rythm
using drumsticks
it's sex and money
Day 3_Group 6
abandoned christmas trees from Simon Rouby on Vimeo.
Wondering around for Abandoned christmas trees. Also found abandoned people. Minus 10 celsius.
mission La Louptière Thénard
A l'attention de la commune de La Louptière Thénard la note d'aujourd'hui est en français.
Aujourd'hui; notre recherche du chiffre 104 nous a mené à la rencontre du code postal 10400.
10400? Ou le nom de code du village de La Louptière Thénard (Aube).
Notre voyage fera l'objet d'un road-movie à travers la campagne enneigée, de Paris à La Louptière via la gare de Nogent-sur-Seine, avec quelques détours imprévus...
Chaque détour, même imprévu, est l'occasion d'une rencontre : c'est exactement ce que nous cherchions dans cette "Aventure": LE HASARD COMME REGLE, la règle du hasard.
Nous avions toutefois un but: conclure un partenariat "entre le 104 à Paris et le 10400 dans l'Aube".
C'est maintenant chose faite: Monsieur le Maire a accepté le titre de Parrain symbolique de cet échange "chiffresque".
Merci à lui !!







Today's note was in French to be understood by the inhabitants of La Louptière Thénard, a village in Aube that we have just discovered.
Our research of the Number 104 made us meet the postal code "10400" which is the one of this town. We wanted to know more about it and its inhabitants, so we took the train and then hitch-hiked to there, in order to talk with the Major. Each event of our trip, even non wanted, was part of our "road-movie". Each of these "adventures" was on opportunity for a meeting, which was exactly our goal.
Our mission was achieved, concluding a partnership between "the 104 in Paris and the 10400 in Aube". The Mayor accepted to encourage us for this work : thanks to him !
(this was group 9 : Aleigh, Antonin, Clarence, Valerie, Etienne)
Aujourd'hui; notre recherche du chiffre 104 nous a mené à la rencontre du code postal 10400.
10400? Ou le nom de code du village de La Louptière Thénard (Aube).
Notre voyage fera l'objet d'un road-movie à travers la campagne enneigée, de Paris à La Louptière via la gare de Nogent-sur-Seine, avec quelques détours imprévus...
Chaque détour, même imprévu, est l'occasion d'une rencontre : c'est exactement ce que nous cherchions dans cette "Aventure": LE HASARD COMME REGLE, la règle du hasard.
Nous avions toutefois un but: conclure un partenariat "entre le 104 à Paris et le 10400 dans l'Aube".
C'est maintenant chose faite: Monsieur le Maire a accepté le titre de Parrain symbolique de cet échange "chiffresque".
Merci à lui !!







Today's note was in French to be understood by the inhabitants of La Louptière Thénard, a village in Aube that we have just discovered.
Our research of the Number 104 made us meet the postal code "10400" which is the one of this town. We wanted to know more about it and its inhabitants, so we took the train and then hitch-hiked to there, in order to talk with the Major. Each event of our trip, even non wanted, was part of our "road-movie". Each of these "adventures" was on opportunity for a meeting, which was exactly our goal.
Our mission was achieved, concluding a partnership between "the 104 in Paris and the 10400 in Aube". The Mayor accepted to encourage us for this work : thanks to him !
(this was group 9 : Aleigh, Antonin, Clarence, Valerie, Etienne)
working in the fridge
After a little discussion about our coffee project, we moved out to discover 19th and 20th arrondissements. It was aoutside day and it was pleasant to walk in the street and see different landscapes under the snow.
Aujourd'hui le programme était libre, chacun a suivit son propre chemin. Avec un petit groupe de dix personnes nous avons déambulé dans les rues enneigées des 19 et 20 arrondissement.
Connected
Tuesday, January 6
Café La Guerre - Groupe 8 Lives


Le Cafè La Guerre was established today to get into business tomorow in the afternoon. A Platform. Getting inspired by people. Passersbys. Artists. Each of them. Just because they express themselves in their own speacial way, whatever it might be. Do they know about that ? Do they care. Will they step inside? One thing they surely can't resits will definetly be a more or less delicicious cup of "Free Coffee".
Let's see what will happend. To be continued.....
FORCE FIELD ANALYSIS GROUP 3
6. 01. 09 We're managing to find the rythm. Maybe using a radio and african music, under statistical snowflakes, doubtfully. We are just looking for something real, that is something that implicate a non-artistical phenomenon. A slow motion of our combined realities, passing a baton, a drumstick, a glut of feelings, playing with walkie talkies, create the rules of the game. Marché Riquet. Maybe this is our passerelle to reality.
Trying to meet the Number...
Today was about finding ways to meet one specific Number we are looking for.
Of course this Number is 104, or 1-0-4.
We just thought about this strange name for an artistic place, or further, for a building. It is both a name and a non-name : 104 can be plenty of other things that a name for this place. It can be other places. It can be an abstract Number. It can be an account, the result of an addition. It can be time. It can be people too.
We are now asking the connection between this Number and how to use it as a way to meet people and to share our work with them.
All of us think that we need to make fun to be efficient in our work. Our work is about being open to each meeting, to go where we think a meeting with this Number is possible, and to provoke the meeting. The more pictures, notes, video, sounds or whatever, we collect, the more interesting will be the collection of them, and the more easy-to-understand will be the link between them. We just want to trust the chance.
The only danger for us is to become obsessed with this Number and to see it erverywhere...
Tomorrow we are going to find as much as "104" we can find in the city.
We will also discover how "104" can be connected with other places out of Paris. We will go to a little town in Aube, one hour by train from Paris. This town seems to have a very specific relationship with the Number... We have to explore that.
This is group 9 : Aleigh, Antonin, Clarence, Etienne, Valerie.
Of course this Number is 104, or 1-0-4.
We just thought about this strange name for an artistic place, or further, for a building. It is both a name and a non-name : 104 can be plenty of other things that a name for this place. It can be other places. It can be an abstract Number. It can be an account, the result of an addition. It can be time. It can be people too.
We are now asking the connection between this Number and how to use it as a way to meet people and to share our work with them.
All of us think that we need to make fun to be efficient in our work. Our work is about being open to each meeting, to go where we think a meeting with this Number is possible, and to provoke the meeting. The more pictures, notes, video, sounds or whatever, we collect, the more interesting will be the collection of them, and the more easy-to-understand will be the link between them. We just want to trust the chance.
The only danger for us is to become obsessed with this Number and to see it erverywhere...
Tomorrow we are going to find as much as "104" we can find in the city.
We will also discover how "104" can be connected with other places out of Paris. We will go to a little town in Aube, one hour by train from Paris. This town seems to have a very specific relationship with the Number... We have to explore that.
This is group 9 : Aleigh, Antonin, Clarence, Etienne, Valerie.
Si l'esprit est la, deplace le verre
This morning, we spent more time drinking coffee, trying to stay warm, and discussing how to incorporate all our working methods into our collaborations. Where does it fall, on the spectrum between improvisation and conceptually driven work?
We discussed criticality in the place of our artwork concerning 104. It seems that other groups work on projects based on criticism of the institution. Perhaps if we work with the historical specificity of the building, we can talk about something else. So we discussed the morgue, and though perhaps we can contact the spirits of the dead people on video.



No spirits would talk to us, but the video is good, a funny document of the working process of this collaboration, its strengths and shortcomings.
Later in the afternoon, we drank more coffee and experimented with video projects, recording a scene and then projecting the scene onto its contents, while they carry out a different narrative.



Visually, it can be something strong, and we decided to all search for an application within the institution and the neighborhood.
Also, the 104 gave us use of a wall in the building. We are making a plan.
We discussed criticality in the place of our artwork concerning 104. It seems that other groups work on projects based on criticism of the institution. Perhaps if we work with the historical specificity of the building, we can talk about something else. So we discussed the morgue, and though perhaps we can contact the spirits of the dead people on video.


No spirits would talk to us, but the video is good, a funny document of the working process of this collaboration, its strengths and shortcomings.
Later in the afternoon, we drank more coffee and experimented with video projects, recording a scene and then projecting the scene onto its contents, while they carry out a different narrative.
Visually, it can be something strong, and we decided to all search for an application within the institution and the neighborhood.
Also, the 104 gave us use of a wall in the building. We are making a plan.
Labels:
cafe,
cold,
ghosts,
performance,
video
Happy Kids Play Outside!
Group # 2 [Day 2 ]
>>>>List
cold
hands
feet
nose
cold
art ...inside/outside
video
capture
cold
hands
feet...are they dead?
nose
mind...turn around
cold
repeat
retry
rework ...near the concentration?
cold.
There is no feeling left in our hands and yet our minds are full. The cold weather outside did not stop our process, today infact quite the opposite! The power of the mind and body can work in many conditions.
turning red head <<<<<
>>>>List
cold
hands
feet
nose
cold
art ...inside/outside
video
capture
cold
hands
feet...are they dead?
nose
mind...turn around
cold
repeat
retry
rework ...near the concentration?
cold.
There is no feeling left in our hands and yet our minds are full. The cold weather outside did not stop our process, today infact quite the opposite! The power of the mind and body can work in many conditions.
turning red head <<<<<
Searching for Danger. . .
What is dangerous?
- the neighborhood?
- explosives?
- guns?
- drugs?
- terrorism?
- scientific testing?
- speaking another language?
- fear?
- cold?
- 104?
Today we decided to work more with our hands. . .
An army of matches, on their way to combustion;
A woman with a gun;
A knife covered in sugar;
A person avoiding the camera;
An improvised song & dance (Tarantino as an inspiration).
It is cold. Even inside the 104. We are having trouble holding the match sticks and the sugar.
We met boys from the neighborhood. They asked us about our burnt bike and plastic gun. And they asked what we were doing. One boy said his gun at home was bigger than ours. We asked them if they passed through the 104 often, and one boy said it was the quickest way between his house and where he was going.
Monday, January 5
Group Number Seven: In the Neighbourhood
Impressed by architectural surrounding we decided to investigate the direct neighbourhood of the 104. We managed to enter one of the skyscrapers, actually called "battérie haute", ...
The last picture I dont have to explain, do I ?
The unifying principles of coffee...
Whether old or young or upper class or lower class, one thing all Parisians can agree on is a nice cup of coffee or kaffee or café. One of the main reasons for this (besides it being very cold) is that going to a café is always a comfortable experience for the locals as well as those of us who are out of place.
Layer 1
Day 1 :
Simon Rouby, Dylan Corlay, Malte Wandel, Gonzalo H. Rodriguez, Nicholas Bruder
We are group Six, Six, Sechs, Seis.
A long day of wandering around the neighborhood where 104 resides.
Snowy footprints.
A chat with a man who is losing his home.
A man that already lost his.
A lone TV, about to find friends at the bottom of a canal.
Mattress…cheese mattress.
Used Christmas tree, nice chair.
All of these has provoked a dicussion between the five of us about this neighbor and the people who live here. We asked questions about 104 and what we think they think about this place. Questions about a tourists optimisim and a locals pessimism. All together, we have no clear formulation of how we create from these questions and happenings. But what has occurred is a creation of a group of very different artists that have enjoyed taking a long walk to together.
You might eventually see a bit of dancing, music, live animation. Even some films and local or two. And then some. That it is.
Cheese Horse or she is a horse ?
Honestly, things develop slowly and fast at the same time. But on the other hand: we are pretty much done.
So what do I mean?
Our group, thats Polina&Ben&Julia&Mai&Daniel, spend the day exploring 1 Euro Shops, supermarkets and interviewing locals to find out how the 104 project altered the social landscape of the neighbourhood. many people were unaware of the purpose of 104, but were also excited to learn about it from us. trying to get in real contact with local residents, we kind of entered the 25th floor of the opposite appartment building. There we were welcomened by a young family who let us enjoy a very fine view on the 104 complex from their balcony.
cheers and nastrowje.
Daniel and Polina.
So what do I mean?
Our group, thats Polina&Ben&Julia&Mai&Daniel, spend the day exploring 1 Euro Shops, supermarkets and interviewing locals to find out how the 104 project altered the social landscape of the neighbourhood. many people were unaware of the purpose of 104, but were also excited to learn about it from us. trying to get in real contact with local residents, we kind of entered the 25th floor of the opposite appartment building. There we were welcomened by a young family who let us enjoy a very fine view on the 104 complex from their balcony.
cheers and nastrowje.
Daniel and Polina.
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